Transcript:
In what ways does your media product use, develop or challenge forms and
conventions of real media products?
There are several forms and conventions for music
videos, digipaks and magazine adverts that I have researched in detail, even
exploring relevant theorists such as Andrew Goodwin. During this project I have
made various decisions to either conform or subvert these forms and
conventions, and I have several reasons for these decisions.
In terms of music videos, initially, music videos
were created to promote an artists’ song and to expose their music to their
fans and broader audiences. This is still the case today, but music videos are
now also made to provide audiences with a visual representation of the song.
The main purpose of my music video was to enhance the song I chose by creating
an interesting visual to accompany the music. Unlike some of my peers who chose
their visual aspect before they chose their song, I found the song ‘Yellow
Light’ by Of Monsters and Men and was inspired by the lyrics and this led to me
developing my narrative.
I decided very early on in the process of planning my
product that I would use a song from the genre of Indie/rock, as this genre has
been becoming more popular in the music industry in the last five years. After
researching the genre extensively I discovered various key conventions of the
genre, such as the type of costume bands or artists of this genre tend to
include in their music video. Actors featured in Indie/rock music videos have a
very casual and laid-back style, many of them wearing skinny jeans, jackets and
converse trainers. I decided to use this convention in my music video (my main
actress is shown wearing converse trainers) and I found this helped audiences
recognize which genre the music video was. Another convention in this genre I
conformed to was the illustration of social issues in the music video. In
relevance to my music video, the social issue of class and discrimination could
be applied to the end of my music video, when a ‘thug’ in a hooded jumper runs
up to the main actress and pops her last balloon. Audiences will be left
wondering why this particular stereotype was used, and my reason for this was
to subtly highlight the stereotypes constantly present in today’s society.
Also, while researching the Indie/rock genre I
discovered that many of the music videos in this genre do not include the use
of a green screen, or any special effects. Instead, they use real world
settings and interesting locations for their music videos. Once again, I
decided to follow this convention, and decided to shoot my music video entirely
in a park, as I felt the use of nature would emphasize the delicate and
positive mood the actress portrays in the narrative. I also felt that shooting
entirely outside would increase the audiences’ level of entertainment, as they
are following the actress in a mysterious location, and the narrative is quite
ambiguous therefore the audience feel like they are being taken on a journey.
Furthermore, I discovered after much research into
similar music videos from this genre that many Indie/rock bands do not even
feature in their own music videos, and I followed to this convention. I focused
primarily on the narrative, as Goodwin suggests that the audience make up their
own idea of the message behind the song through the understanding of what
happens in the music video and I wanted to highlight this by giving the
audience a strong narrative. I chose to make the narrative stem from something
metaphorical, as I felt that different interpretations of what the yellow
balloons represented would allow my audience to develop their own understanding
of the song.
Goodwin’s theory of visual relations can clearly be
applied to my music video, as it highlights how the use of sound and editing is
used to enhance a music video. Goodwin suggested that the cuts tend to coincide
with a new beat in the song, or a change when a verse or chorus ends. He also
suggests that visuals can be used to illustrate a key lyric, and I combined
these two elements; I used cuts when the beat changed, and also cut to specific
shots which would relate to the lyric being sung at that time. For example,
when the male singer sings the lyric ‘close my eyes’, I cut to a shot of my
actress closing her eyes. This was done to maximize the audiences’
entertainment, and interest, and then to maintain this attention for the whole
video.
Differently, a convention from the Indie/rock genre
that I challenged was the presence of a musical instrument. I decided against
having my actress playing a guitar, as I felt that the use of a performance
aspect would not work well with the narrative. The narrative is very focused on
the characters, especially the main female character; therefore I felt a
separate element with a musician playing an instrument would take away from the
story being told.
Furthermore, in terms of camera angles and shots, I
included several long shots, establishing shots and mid-shots in order to allow
the audience to fully absorb the location and props and how they were being
used. However, after gaining feedback and exploring Goodwin’s music video
theory in even more depth, I decided that I needed more close-up shots, as
these are a key aspect of a music video as they keep the viewer interested and
engrossed throughout. Therefore, I completed a second shoot where I shot
several close-ups, and this ultimately improved my music video, and gave the
video more variety in terms of camera shots.
Similarly, when creating my magazine advert and
digipak, I decided to look into conventions I have explored as a consumer. I
also decided to include things specifically targeted at my audience, as these
are the people who would be consuming the products. I included several social
media links such as Twitter and Facebook pages of the band on the magazine
advert in order to appeal to my target audience and consumers in general. Bands
and artists use social media sites and new media technologies to gain success
globally, therefore this it is key to incorporate this in my magazine advert
and digipak. In addition, I have found that there is a high level of
consistency between the digipak and magazine advert. This therefore influenced
my decision to include a consistent colour and font scheme in both pieces of
work, as well as very similar main images used for my magazine advert and
digipak front cover. I also imitated this convention by using the key prop of
the yellow balloons throughout both print works as it gives the audience
consistency and also makes the band’s style recognizable, as well as it
becoming a key piece of iconography. I really wanted audiences to associate
this yellow balloon with the band and their song, as it is a symbol for hope
and happiness, and I think I have achieved this by incorporating these balloons
throughout the digipak and magazine advert.
Furthermore, I demonstrated consistency repeatedly by
using images of the same actress, in the same costume that she wore for the
video shoot. I chose to do this in order to make the audience instantly recognize
the actress, and furthermore the song by the band.
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